
The long–awaited sequel to the international best–seller
Centered Riding—the book that revolutionized horseback riding. 153 color photos, 93 line drawings.
Customer Review: Sally Swift does it again.
I love her first book, and highly recommend both books to my students. This book has the same easy to understand format. Sally breaks down how our bodies function when we are riding. I really like the exercises that she uses on the ground. I frequently use the "monkey position" with my students. It really helps to explain use of the hip joint. I also find the "monkey position" helpful when introducing a student to the sitting trot. I cannot say enough awesome things about this book. I also do not fully agree with the first review. This book really shows a rider how their body affects the horse, regardless of your learning styles. The illustrations and pictures are very clear and easy to understand. They have helped many of my students to really gain perspective on how every little movement, or tense muscle affects the horse in some way. I feel that every rider should have a copy of both Centered Riding, and Centered Riding 2 Further Exploration. I hope that this review is helpful.
Customer Review: Still drives me spare - 'Creative' types will love it.
If you aren't a fan of Sally Swift's methods (analogies and metaphors) and the first book drove you to despair this second one is slightly better. There are some helpful texts and photos but she is still my least favourite writer. I simply find that I cannot learn from her teaching style and her descriptions do nothing to help me to understand what I must DO. Of course, AFTER I have learned something (on my own) I can often relate what I feel to what she describes but because I am unable to transfer her descriptions initially I am unable to LEARN to ride from her books. You MUST know your learning style before buying Sally Swift - if 'grow like a tree' doesn't help you with your riding, avoid her like the plague. If on the other hand you have the type of brain that responds well to these sorts of descriptions, dancers\actors etc who can understand what their bodies need to do in response to imagery - then buy her books and avoid the others who use more mechanistic descriptions.
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